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New Music Concerts Review 11.01.04
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"Exemplary in both programming and performance"
--Pittsburgh Post Gazette
"An exceptional group because of their clean
playing, energy, and freshness."
--Le Monde de La Musique
"Cuarteto Latinoamericano gives a spirited,
crisply clean, and sympathetic performance well worth seeking out."
--The American Record Guide
"MEXICAN QUARTET IS A GREAT START TO FESTIVAL...a
superb representative of Mexican musical art - the Cuarteto Latinoamericano
- playing works of composers from Mexico, Brazil and Argentina.
What a wise choice of the symphony: to let Latin Americans speak
for their own music. The group will join the orchestra, along with
soprano Heidi Grant Murphy tonight...
The quartet's sense of ensemble was extraordinary
considering the precision and balance among the four. Regardless
of speed or dynamic level or complexity of the music, they played
as one. The fast movements were as compelling as the slow ones,
especially when Bitran, with his immaculate musicality and handsome
focused tone, waqs given a spotlight.
The program gathered together some of the great
names of 20th-century Latin American music: Silvestre Revueltas
of Mexico, Villa-Lobos of Brazil and Astor Piazzolla and Alberto
Ginastera of Argentina. Mario Lavista, born in Mexico City in 1943,
is only one of the bunch still alive. The survey was an informed
one, with some evocative music from Revueltas ("Musica De Feria")
and a shimmering, reflective work from Lavista ("Reflejos de
la noches"). There were two string quartets: No. 17 of Villa-Lobos
and No. 2 of Ginastera. I have never heard either one played more
persuasively or with great insight".
-Seattle Post Intelligencer,
May 8, 2003
"The Cuarteto Latinoamericano's emphasis
on music by composers from Central and South America has rarely
sounded more powerful than it did during Sunday afternoon's scintillating
recital in Berkeley's Hertz Hall...the ensemble concentrated almost
exclusively on recent music by Latino composers who live in the
United States, and the results were invigorating...and the quartet
played them superbly.
-San Francisco Chronicle, May 6, 2003
"The Cuarteto Latinoamericano is increasingly
making a name for itself in international music circles...The ensemble
plays with a lean, sinewy brilliance and edgy virtuosity that suit
their preference for contemporary music. Those qualities were heard
to excellent effect Friday night at Florida International University's
New Music Miami ISCM Festival at the Wolfsonian Museum. If the styles
of composers represented were hightly divergent, the shared Latin
influence was palpable in their strong rhythmic energy...Saturday
afternoon's program presented a wide array of music for strings
and tape, with some works combining both elements".
- Miami Sun Sentinel
April 14, 2003
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CUARTETO LATINOAMERICANO
Classical Latin Rhythms
New Music Concerts
World Premieres
Flute Quintets - Alex Pauk
Canadian Premiere
Diego Luzuriaga
Warm night of
new-classical Latin
Toronto Star
January 11, 2004
by: William Littler
Robert Aitken was right Sunday night in identifying Mexico as a nice
place to go as snow fell about the Music Gallery on St. George the Martyr
Church. Bit it was from Mexico that the Cuarteto Latinoamericano came
to present the first New Music Concert of the new year.
The three Bitran brothers, violinists Saul and Aron and cellist Alvaro,
along with violist Javier Montiel, divide part of their season between
residencies at the Centro Nacional de Artes in Mexico City and Carnegie
Mellon University in Pittsburgh. the rest of the time they have become
widely travelled ambassadors for the music of Latin America, with a number
of Toronto visits under their belt.
This time, during the course of their 21st season, they played Canadian
as well as Latin American music. including the premieres of two pieces
commissioned specially for the occasion from Toronto's Alex Pauk and Ecuador's
Diego Luzuriaga.
...But Luzuriaga wasn't the program's only composer influended by indigenous
music. The Spanish-Canadian, Montrel-based Jose Evangelista's Spanish
Garland, took a dozen short, mostly very old Spanish folk melodies and
arranged them for quartet almost in a raw state, without harmonization
though with some ornamentation.
And at the end of "La Calca", the fourth part of her quartet
Altar de Muertos, celebrating the popular Day of the Dead, Mexico's
Gabriela Ortiz quoted a melody of Huichol origin from the state of Mayarit
during the course of composing music pulsing with rhythmic energy.
By way of contract, the two other composers on the program, Mexicans
Carlos Sanchez Gutierrez (in his passionately intense Cinquo para Cuatro)
and Mario Lavista (in his spiritually meditative String Quartet No.
4, "Sinfonia") sounded more international in style.
Not that it matters what flac music flies these days. Through such ensembles
as the Cuarteto Latinoamericano, Latin America's composers have long since
arrived on the world's stage.
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